“I get so many emails a day, through Facebook and even through my personal email account from people who don’t know me – and even people who do know me,” explains music journalist Amy Sciarretto, who teamed up with her friend and colleague Rick Florino to pen Do the Devil’s Work for Him: How to Make it in the Music Industry (and Stay in it) (McCarren Publishing). “I was giving advice away so much that I realized I was giving the same advice over and over again, so obviously there was a need for this information, so why don’t we put it in a book?”
While Darkthrone may have been associated with the second wave of black metal by virtue of its time and place, the hellish duo behind the band, Fenriz and Nocturno Culto, always associated their band with the first wave of black metal, prior to the establishment of rigid genre boundaries. Back then, black metal had more to do with attitude and spirit. Darkthrone has always remained firmly entrenched in that black metal ethos.
Despite the social consternation that both rock music and motorcycles shared, the coupling of the two eventually created a seamless union between man and machine. “Today there are not too many avenues to feel that sense of freedom, and I think that’s an exciting thing for people who ride motorcycles,” says Chris Barnes, frontman for Florida’s Six Feet Under and proud owner of a custom 2005 Harley Davidson.
Find out what HELLBOUND’s contributors are listening to this month. Each writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too.
Of all the original NWOBHM bands, few have been as sadly under-valued as London’s Tank. Formed by former Damned/Saints bassist Algy Ward in early 1980, Tank took the raw aggression of Algy’s former punk bands and applied it to a more metal setting.
Thanks for joining us for the launch of Hellbound.ca, Canada’s newest metal webzine. Updated weekdays with 2 – 3 new album reviews, concert reviews and photos as well as in-depth interviews with bands that span the realm of underground metal, Hellbound hopes to fill part of the void left with the unfortunate recent closings of Unrestrained!, Metal Edge and Metal Maniacs.
Agoraphobic Nosebleed has just released their crowning achievement, the stunningly song-oriented ginormous musical fuck-stick that is Agorapocalypse and as the press cycle dictates, it’s time for them to do interviews promoting said record. We could ask about their packaging the CD in old-school longboxes, what took so fucking long and how a band that doesn’t have a drummer managed to place a drum solo in “Question of Integrity.”
One of the most exciting, invigorating slabs of true metal to make its way into my grubby hands this past year has been Overlords of Chaos, the third album overall by Portuguese power trio Ironsword. After two previous releases through Solstice guitarist Rich Walker’s Miskatonic Foundation, the band has found a new home on Pittsburgh’s Shadow Kingdom Records. The label has quickly been making a name for itself by releasing some of the best underground classic heavy metal to see the light of day in 2008, and this leads the pack as their best release yet.
It’s a good time to be a traditional doom metal fan. After years of inactivity from some of the genre’s most beloved acts, the past year or so has seen a glut of new and archival material made available. From the Pentagram and Bedemon rarities collections through Trouble’s reissues and new studio effort to the solid new Candlemass album – not to mention excellent new efforts by young bands such as Isole and The Gates Of Slumber – we’ve seen a wealth of riches unleashed.
There are few clean-throated metal vocalists as naturally talented as Robert Lowe. Through six albums with Solitude Aeturnus, plus the highly underrated Last Chapter record on Brainticket, Lowe’s soaring, clean vocal style have made every album he has participated in magical. And now, thanks to his new additional undertaking as lead vocalist in Candlemass, there is even more cause for celebration.