Hard to tell from watching these guys that AC/DC is in their sixties. Seeing em live in 2015 wasn’t all that different from watching em 7, 15 or 19 years ago. But you sorta get the feeling it’s their last tour, and they saved their best for the occasion. Not just the obvious cuts like Back in Black and Thunderstruck…but the mid-set sequence of Sin City, Shot Down in Flames and Have a Drink on Me.
A couple years back, I did a list of reasons why I like Matt Pike on my blog. While it didn’t top the list, one thing that always impressed me was the type of talent he always brings on tour. This latest trip was no exception!
Though it had been 15 years since Neurosis last played Toronto, I must confess that I hadn’t waited nearly that long; I caught ’em in Brooklyn in 2012. Nevertheless, it was a rare East Coast performance for the post-sludge godfathers, and one that came with some welcome opening acts–in sharp contrast to that NYC show.
I must admit, I’m not as big into NXNE as I used to be. I just don’t have the stamina anymore to stay up till 3 am 3-4 nights in a row, running from venue to venue in search of heavy music. These days, I only do NXNE when there’s someone I really wanna see…and this year, that band got denied at the border.
Still scratching my head over London landing a stop on the Mastodon/Clutch/Graveyard tour while Toronto has to settle for a Graveyard side date. That said, the latter would be the band I most wanted to see of those three, so I saved me some cash and a trip westward by catching ’em at The Garrison instead.
Though they’re hardly a household name around here, I’d hafta say Ufomammut drew a pretty decent crowd to the Mod Club last night. Personally, I had been looking forward to seeing them for quite some time, and they really did deliver–visually as well as musically.
I haven’t been heading down to the States for shows very often since our dollar dropped far below par. But I still had a few bucks lying around from my last U.S. trip, and with two of my favourite American doom bands playing within driving distance, I figured it was worth the effort.
Electric Wizard’s Time to Die tour marked their first extended trek across North American in 13 years, and their first Toronto appearance in…forever!? No wonder it was such a hot ticket.
Melissa Cross’ reputation definitely precedes her. When it comes to instructional videos on metal vocals, hers was the first–and only–one that came to mind. But after watching The Zen of Screaming, I found myself agreeing with a few of the not-so-positive reviews on Amazon…
I’ve been toying with the idea of making an autobiographical solo album for a few years now…I just had to hit rock bottom first. The source material has always been inside of me, but it took a series of unfortunate events toward the end of last year to finally start drawing it out.